This 1985 film from Russia is one of the most devastating films ever about anything, and in it, the survivors must envy the dead. In the end, Mr. Kravchenko was able to concentrate so intensely that it seemed as if he had hypnotized himself for the role"[15][18] with some autogenic training. The only change became the name of the film itself, which was changed to Come and See from the original title, Kill Hitler[15][11] (Elem Klimov also says this in the 2006 UK DVD release). Flyora later wanders out of the scorched village in the direction of the Germans, where he discovers they had been ambushed by the partisans. Farewell: A Tribute to Elem Klimov and Larisa Shepitko, May 19-30, 2006 (Memento vom 23. The director has elicited an excellent performance from his central actor Kravchenko". [15][13][57][58][59][60], On review aggregator Rotten Tomatoes, the film holds an approval rating of 97%, based on 34 reviews, and an average rating of 8.53/10. Elem Klimov (Volgogrado, 9 de julho de 1933 — Moscou, 26 de outubro de 2003) foi um cineasta russo. It won the Venice Classics Award for Best Restored Film, and was also shown in several European independent cinemas again. Elem Klimov was born in Stalingrad (now Volgograd) in July 1933. Flyora tries to warn the townsfolk they are being herded to their deaths, but is forced to join them inside a barn. Film vyšel v roce 1985 ke čtyřicátému výročí Dne vítězství (9. května 1945) a dostal množství různých cen[5]. "[18], Come and See was selected as the Soviet entry for the Best Foreign Language Film at the 58th Academy Awards, but was not accepted as a nominee. No one would ever make the mistake of saying that about Elem Klimov's "Come and See." [34] On 18 December 2019, Janus Films released a trailer[35][36] for a 2k-restoration that premiered at the Film Forum in New York City on 21 February 2020[37][38] with a theatrical run[39][38] and then a home media release through Criterion was released on June 30, 2020. The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction. As they disappear into the birch forest, a title informs: "628 Belorussian villages were destroyed, along with all their inhabitants"[9] (alternate translation: "628 Belarusian villages were burnt to the ground with all their inhabitants").[11]. Elem Germanovič Klimov (rusky Элем Германович Климов; 9. července 1933, Stalingrad, SSSR – 26. října 2003, Moskva, Rusko)[1] byl sovětský filmový režisér a scenárista, tajemník Unie filmařů SSSR (1986–1988)[2], Národní umělec Ruské Federace (1997)[3]. The next day two partisans arrive at Flyora's house, to conscript him. Добро пожаловать, или Посторонним вход воспрещен (комедия, реж. Elem Klimov was born in Stalingrad (now Volgograd) in July 1933. [22] Film critic Roger Ebert commented on this scene as follows:[25]. He is best known in the West for his final film, 1985's Come and See The Mozart descends into the film like a deus ex machina, to lift us from its despair. Palaa sivulle Elem Klimov. And then I thought: the world doesn't know about Khatyn! Элем Германович Климов) (9. heinäkuuta 1933 Stalingrad – 26. lokakuuta 2003 Moskova) oli neuvostovenäläinen elokuvaohjaaja.. Klimov tunnettiin lännessä parhaiten vuonna 1985 valmistuneesta elokuvasta Tule ja katso (ven. Personal life. [19] Klimov and his cameraman Rodionov employed naturalistic colours, widescreen and lots of Steadicam shots; the film is full of extreme close-ups of faces, does not flinch from the unpleasant details of burnt flesh and bloodied corpses, and the guns were often loaded with live ammunition as opposed to blanks. He studied at VGIK, and was married to film director Larisa Shepitko. Requiem pour un massacre également connu sous le titre Va et regarde (en russe : Иди и смотри, Idi i smotri; littéralement « Viens, et vois », phrase tirée du verset 6:7 de l’Apocalypse, traduction Ostervald 1867 [1]) est un film soviétique réalisé par Elem Klimov et sorti en 1985. Elem Germanovitx Klimov (errusieraz: Эле́м Ге́рманович Кли́мов; Stalingrad, 1933ko uztailaren 9a – Mosku, 2003ko urriaren 26a) sobietar zinemagilea izan zen. This 1985 film from Russia is one of the most devastating films ever about anything, and in it, the survivors must envy the dead. "[41] Rita Kempley, of The Washington Post, wrote that "directing with an angry eloquence, [Klimov] taps into that hallucinatory nether world of blood and mud and escalating madness that Francis Ford Coppola found in Apocalypse Now. Menu. The next morning, Flyora attempts to steal a horse and cart but the owner catches him and instead of doing him harm, he helps hide Flyora's identity when SS troops approach. Leghíresebb alkotásai: Hurrá, nyaralunk! [9], In 2017, the film received an official restoration overseen by Karen Shakhnazarov. Fedor Klimov (1990-), patineur artistique russe. You will see how. The film was released on 17 October 1985,[4][30] drawing 28.9 million viewers[9][15] and ranking sixth at the box office of 1986. His parents were staunch communists and his first name was an acronym derived from the names of Engels, Lenin and Marx. [10][16] Also according to Klimov, during one of the after-the-film discussions, an elderly German stood up and said: "I was a soldier of the Wehrmacht; moreover, an officer of the Wehrmacht. Viktor Klimov (1964-), coureur cycliste soviétique puis ukrainien. Elem Klimov official sites, and other sites with posters, videos, photos and more. Les adieux à Matiora - la critique du film 04/02/1987. In fact, a special Silber Interference Grease-Paint, alongside a thin layer of actual silver, was used to dye his hair. [11] "I realized I had to inject him with content which he did not possess," "This is an age when a boy does not know what true hatred is, what true love is." He is best known in the West for his final film, 1985's Come and See, a powerful tale of a teenage boy in German-occupied Belarus during the German-Soviet War, but he also directed dark comedies, children's movies, and historical pictures Yury Klimov (born 1940), Soviet/Russian handball player and Olympic team gold medalist This page lists people with the surname Klimov . [8] Alongside this, the death of his wife Larisa Shepitko, also a filmmaker, in 1979 forced him to first complete the work she began on what was to be her next film, Farewell; it would finally be released in 1983. Read Bible online", "Biennale Cinema 2017 | Official Awards of the 74th Venice Film Festival", "Come And See (Idi I Smotri) - English subtitled - Lumière Cinema Maastricht", "New Restoration of Elem Klimov's Come and See Wins Best Restored Film Award at Venice Classics", "Click to see the full poster for our new restoration of COME AND SEE! "[55] It ranked 154 among critics, and 30 among directors, in the 2012 Sight & Sound polls of the greatest films ever made. Elem Klimov. As evidence of war, and as a plea for peace. ", "Come and See [Russian: Idi i smotri] (1985) (pp. (Ovo je zadani oblik.) [43], According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad. It is unutterably depressing, because history can never undo itself, and is with us forever. Generation P (film)-Wikipedia. I must not describe the famous sequence at the end. Biôgrafia; Rohy ivelany. Stránka byla naposledy editována 25. Elem Klimov; Requiem pour un massacre - La critique du film 17/09/2019. "[48] British magazine The Word wrote that "Come and See is widely regarded as the finest war film ever made, though possibly not by Great Escape fans. That evening Roubej and Flyora sneak up to an occupied village and manage to steal a cow from a collaborating farmer. It's said that you can't make an effective anti-war film because war by its nature is exciting, and the end of the film belongs to the survivors. Kosach then forces most of the collaborators to douse the Germans with a can of petrol but the disgusted crowd shoots them all before they can be set on fire. Klimov had to fight eight years of censorship from the Soviet authorities before he could be allowed to produce … I traveled through all of Poland and Belarus, finally reaching Ukraine. "[49] Tim Lott wrote in 2009 that the film "makes Apocalypse Now look lightweight". ", Come and See was shot only on Belarusian soil. Biôgrafia; Rohy ivelany. [citation needed] The Soviet marching song "The Sacred War",[23] German folk song Im Wald im grünen Walde[citation needed] and Russian folk song "Korobeiniki" (lit. During their retreat, the group unknowingly wanders through a minefield resulting in the deaths of the two companions. [1] [2] [3]Referências – Moszkva, 2003. október 26.) Elem Klimov Date of Birth - Jul 9, 1933 (director, actor, instagram) Elem Klimov - Filmography - Director (IMDb.com) (To access celebrity's transit chart click on the year of the movie) And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth. [44], The film has since been widely acclaimed in the 21st century. [5], The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko. Další promítání se konalo až za 20 let, v roce 1987[5]. Elem Klimov Date of Birth - Jul 9, 1933 (director, actor, instagram) Elem Klimov - Filmography - Director (IMDb.com) (To access celebrity's transit chart click on the year of the movie) The extreme close-ups of actors staring into camera is a recurring motif." Příjmení Klimov (Климов) má více nositelů: Elem Klimov (1933–2003), sovětský filmový režisér a scenárista; Konstantin Klimov (1951–1982), sovětský ruský hokejový útočník; Vladimir Jakovlevič Klimov (1892–1962), ruský konstruktér leteckých motor ů; související. [31][32][33], In 2001 the film was released on DVD in the United States by Kino Lorber. Scénář filmu byl napsán mladším bratrem Germanem Klimovem[4]. As the partisans leave, Flyora notices a framed portrait of Adolf Hitler in a puddle and proceeds to shoot it numerous times. Otec German Stěpanovič Klimov byl vyšetřovatelem výboru stranické kontroly ÚV KSSS. Az 1950-es évek végétől rendezett, 1964-től játékfilmeket is forgatott. 2020 v 21:49. Dobro Pozhalovat, Ili Postoronnim Vkhod Vospreshen Welcome, or No Unauthorized Entry (Comedy, directed by Elem Klimov, 1964) 'Welcome, or No Trespassing is a Soviet movie by Elem Klimov made in 1964. [It] doesn't have any professional actors. They know about Katyn, about the massacre of the Polish officers there. There's a curious scene here in a wood, the sun falling down through the leaves, when the soundtrack, which has been grim and mournful, suddenly breaks free into Mozart. They are soon met by Roubej, a partisan fighter, who takes them to a large group of villagers who have fled the Germans. Gerasimovova všeruská státní univerzita kinematografie, Gerasimovovou všeruskou státní univerzitu kinematografie, https://cs.wikipedia.org/w/index.php?title=Elem_Klimov&oldid=18761619, Monitoring:Články s odkazem na autoritní záznam, licencí Creative Commons Uveďte autora – Zachovejte licenci. Elem Guérmanovitx Klímov (en rus: Элем Германович Климов) ( Stalingrad, Unió Soviètica, 9 juliol 1933 − Moscou, 26 octubre 2003) va ser un director de cinema soviètic . If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. It pretends to roll back history. But he replied: "Let them not watch it, then. "[25], Come and See appears on many lists of films considered the best. Elem Germanovitš Klimov ( ven. I had been reading and rereading the book I Am from the Fiery Village, which consisted of the first-hand accounts of people who miraculously survived the horrors of the fascist genocide in Belorussia. Come and See (Russian: Иди и смотри, Idi i smotri; Belarusian: Ідзі і глядзі, Idzi i hliadzi) is a 1985 Soviet anti-war film directed by Elem Klimov and starring Aleksei Kravchenko and Olga Mironova. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill. The film mixes hyper-realism with an underlying surrealism, and philosophical existentialism with poetical, psychological, political and apocalyptic themes. 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